Drummer Blog | Jeff Consi | Melbourne, Australia

Jimi Hendrix Experience

I think there is at least one time in every musician’s life when they are completed fixated on one player or another. You study their style, set up your gear like them, and try your best to mimic their grooves, solos and fills. Sometimes, you can even obsess over them. (Sidenote: A letter to Neil Peart when I was about 15 years old actually did get a reply from the man himself! This was way before email of course).

For me, one player in particular, before Neil Peart, was Mr. Mitch Mitchell. Back in the day, my brother turned me on to Jimi Hendrix, and my first band covered Hendrix tunes. Looking back, I can’t name another drummer who could perfectly weave loose, bouncing jazz chops with the fire, attitude and groove of a rock drummer.

Mitch Mitchell in the studio

He was one of the funkiest drummers of his time. That is the main reason why I thought it would be great to feature a drum mix of his studio take of “If 6 Was 9″. As you listen you can actually hear the genius at work, with his unorthodox rhythms and fills. It’s all there:

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He was one of the masters at creating a circular feel. You can hear it every time the band kicks in. He was even moving feels from triplets to straight 16th notes(at about 2:15). You’ll hear a bit of Tony Williams thrown in there too. Check out around the 3 minute mark. He just had something that no one else did.

Hope you enjoy this candid listen inside the genius of Mitch Mitchell.

I love the internet “tubes”. These “tubes” sometimes put us in touch with interesting people we otherwise may never meet. Diego Stocco is one of those people for me. Diego is a sound designer, which is an area of music I enjoy exploring. Diego creates sound(s) for many applications including video games, movies, and sample libraries. I stumbled upon his Vimeo profile a while back, and I was fascinated by his work. Check it out when you get a chance. With titles like “Bedside Table Bass” and “Drying Rack”… you are sure to find something out of the ordinary.

I contacted him a few months back, and he recently sent me a link to his latest work. It’s called “Music From Sand”. It’s a short track composed entirely from the sound of sand! Using various sampling techniques, he was able to pull beautiful, rich textures and tones from playing around with sand. The one technique that really grabbed my interest was how he created parts of the rhythm track. By taping DT Series Piezo Film to his fingers, he recorded the sound of his fingers hitting the sand. The sound that he produced is just brilliant. Have a listen and see for yourself:

The older I get, the more I realize that music is freedom. And, this video is a perfect example of just how free it can be.

The Slapstik

Anyone who is interesting in innovative ways to create grooves and beats will be interested in a new product on the market called The Slapstik®. The Slapstik® is essentially a drumstick taken to the next level… with a completely original design for a drumstick tip.

The Slapstick® functions as any other drumstick would, but with the added benefit of a swivel tip that let’s you play 16th notes with ease on your hi-hat by enabling an “up” stroke in addition to the normal “down” stroke.

While it seems like a simple concept, it does require practice. It is not a typical movement that your hand would be accustom to playing. But, that said, once you practice it enough, I think it actually helps even out your stroke. I found putting a bit more arm movement helps in the beginning, then you gradually shift that technique to your wrist.

One thing I found really helpful here was the Slapstik® web site. It features drummer Yotam Rosenbaum taking you through the various techniques in mastering the Slapstik® groove. There is also a video of Paul Wertico taking you through some of the ways he is using the Slapstik®.

It’s a liberating experience to be able to play sambas and R&B grooves with ease, and letting your other limbs play around a bit more. Also, the fact that the Slapstik® tip also includes a ’standard’ wooden tip, it let’s you use the Slapstik® as a normal stick as well. You can still move around the kit with this stick.

If you are someone who is always looking for new and exiting ways to play grooves, this may be the stick for you. What is great is you only need to buy one to try it out! While it does require some practice, I find it to be an excellent tool to keep next to your brushes, mallets, and blasticks.

Super Fi 5 Pro in Black

While on tour in the UK a few months ago, I decided to get some dual driver in-ear earphones. I have used dual driver in-ears before, and they really make a difference in the low end, with a driver for the mids and highs, and a driver for the low end in each ear.

So, after some Googling around, I decided to get the Ultimate Ear super.fi 5 Pro™. Ultimate Ears have a great reputation, and a huge client list which I think is a good indication that they weren’t a bad choice. Plus, they were inspired by Alex Van Halen, which is a big selling point for me!

I located a distributor in London, and on a day off I ventured in to the Tube for the hour long trip to Hand Held Audio in Northumberland Park. I can say that the trip was more than worth it. My kick drum has never sounded so huge in earphones before. The high end is just right, with a perfect balance of mid-range.

Super Fi 5 Pro

They come with a complete accessories/fitting kit which consists of small, medium, and large rubber ear tips, foam ear tips, 1/4 inch adapter, 1/8 inch line level attenuator, a cleaning tool, and a metal hard case to carry it all. You will need to try the different tips on to figure out which is the best fit for you, but since there are so many choices, you shouldn’t have trouble getting a good fit. One big selling point for me was the fact that they have a replaceable cord. How many times have you had a cord that died on you?

As for their customer service… after about two months of use, I had a problem with the right ear bud. I contacted UE’s customer support and they had new ones to me within a 1.5 weeks. Being in Australia, that is pretty quick. That is just a sign of a good company, doing great things for their customers.

Grand Pianoramax

It’s has been way too long in between posts, but I am back now and ready to roll. I have been playing gigs, recording, and touring overseas. It has been lovely. But, as before, I always like to return with a little gem of music that has been inspiring me. This is something a little different.

If you haven’t heard of Grand Pianoramax, you may have to clear your head a bit before listening, but it has some of the tastiest playing in a groove, fusion, hip hop sort of way. The album is “The Biggest Piano in Town” and it features Adam Deitch and Deantoni Parks on the kit. I find it really entertaining. The songs are simple in the instrumentation, but sophisticated in melodies and grooves. There’s a bit of rappin’ and storytelling. The playing is spot on, and the recording is one of the most interesting I have heard in a while. Whoever recorded these sessions was masterful in their detail. And, who doesn’t love the sound of a Moog synth?

One person who definately loves that sound is Leo Tardin. He is the mastermind behind Grand Pianoramax, and he really shines on this album. His piano and Moog soar on the entire recording. It was also produced by Michele Locatelli, who has done other work on the Obliqsound label. From start to finish, it is really inspiring music.

Roland SPD-S

In the pursuit of finding a near-indestructable, non-skipping piece of gear that could be used for playing backing tracks in a live show, I have used MiniDisc, iPod, and 8-track digital recorders to get the job done. Each one of them have their pros and cons. But, I have had troubles with all of them at some point, usually in the middle of a show.

So, after a few frustrating gigs with a MiniDisc player that wouldn’t play nice, I decided to see if the Roland SPD-S Sampling Pad would be able to load and play entire songs. Billy Hyde Music’s drum department(*) here in Melbourne was gracious enough to lend me the SPD-S to demo it in a live situation.

The first thing I did with the SPD-S was max out it’s Compact Flash memory, which at the moment is only 512MB. It does not recognize anything larger, and according to Roland support, that is because the unit’s software was written before 1GB and 2GB CF cards were invented. I then loaded 20 full songs into the machine with no problems. Although it took a while for the machine to compress and store the files, once they were burned into the Compact Flash card, they would play flawlessly, and instantly. No delay.

UK Yamaha Tour Kit

I then setup one patch per track and assigned one song to a pad in the patch that I could start and stop by striking it with a stick. This way, I can use the patch UP and DOWN buttons to scroll through songs. The real beauty of the SPD-S though is that the tracks start immediately as you strike the pad. This worked brilliantly, especially for segues. If you are familiar enough with the tempo of a tune, you can setup a few pads to play a few songs in a row which really keeps the “live” feel.

Anytime you use electronic gear, you are bound to run into some glitches, like a power surge or better still, a deadly power outage! But, I find that the Roland SPD-S minimizes those glitches because it uses Compact Flash memory, so there are no moving parts which means that it won’t skip. Eureka!

* Special thanks to Adam Wickel from Drum Power and Tony at Billy Hyde Music.

iTunes

After having to learn nearly 60 new songs in the past few months, I decided to try to simplify the process by using my MacBook to help organize and learn the material. By playing around with iTunes and Adobe Illustrator, I came up with a helpful PDF file and some iTunes tips for the working musician. I hope this helps you in your quest for music. It has worked well for me so far.

iTunes for Drummers

iTunes is king for organizing your .mp3 and .mov files which makes it a great tool for musicians as well. When I need to learn a few sets worth of music, I rip the tunes to .mp3 files usually at a minimum of 192kbps, and then label them according to the band/artist I am working with, even if it’s cover music. I then label the “Album” category with something generic like “Live” or “Live at [insert venue name]“.

Now that I can easily locate their song list in my iTunes library, I create a playlist for every set that I am doing with the band or artist, and label them “Set 1… Set 2… Set 3…” and so on. Then it is just a matter of going through their song list and dumping each tune, in set order, into the newly created iTunes playlists.

Once I have the sets sorted, I’ll dump the playlists onto my iPod so I can walk around town and learn the tunes by ear. I find that this is a great way to familiarize yourself with the music because organizing the band’s sets into playlists really gives you a good feel for how the set will flow. It also helps you learn the intros and endings for the songs. I find that to be a big challenge when you are playing with someone for the first time. iTunes definately helps.

If you are lucky, they will supply you with their own live versions of the songs so you can learn their arrangements and segues. If not, it’s probably a good idea to organize a rehearsal with the band if the music requires it. That is where jotting down some notes about each song comes in handy…

Manuscript for Drummers

I have used a few different types of manuscript notebooks to jot down some ideas, grooves, and songs, but I found that most of them didn’t accommodate the space needed to write down a quick “cheat sheet” for a set that I needed to perform. So, I sat down and came up with a PDF file of blank manuscript that can be printed out and used to write out the music and key notes of each song.

Download Drum Manuscript PDF (A4)
Download Drum Manuscript PDF (US Letter)

In the PDF file I included enough space for the song title, a text box to write the tempo(bpm), space for the time signature, and a “ride key” that I use to quickly figure out the ride pattern of the song. It’s just four 1/4 notes that you can turn into 1/8 notes or 1/16 notes by tying them together with a pen or pencil. See Figure 1 below for an example. I found this to be an easy way to quickly get a summary of the tune. I usually grab the iPod and go through each song, writing down intros, grooves, major drum fills, and the endings of the songs. I enter the bpm in the tempo text box, and tie the notes together in the “ride key” to form the basic ride pattern of each tune.

Manuscript Figure 1

After learning the songs by ear, and also going through this process of writing out my notes on manuscript paper, I find that I get familiar with the songs quickly. Then, it’s just a matter of practicing a bit on your own and/or with the band as well.

At the gig I bring along my notes and a metronome so I can quickly set myself up for each song in the set. I have been doing this for a while now, and it seems to be work quite well. I would love to hear any other tips you may have. So feel free to comment. Cheers!

I landed in the UK yesterday. Took the train from Paris which travels at about 200-250kph. It’s a great way to travel. It was great to check out the country side of France and England. I met up with the band in London and traveled to the first Waiting Room show which was in Essex. Amazing. The crowds go off here.

I have the day off, so I am planning to write some blogs to fill in the gaps. Big gaps. It’s the musician’s creed of “hurry up… and wait!” There is A LOT of waiting around when you are on tour.

Look forward to the rest of the shows. 16 more to go!

OK… back to writing again. Been crazy filling in for the Reverend in the Melbourne funk band Cold Sweat, and then preparing for a UK Waiting Room tour. I haven’t had a chance to add anything to the drummer blog lately. But, I am back in the saddle and I thought this video would be a good one to kick it off again.

This video is one of the most original pieces I have seen, although it reminds me of an old Art of Noise video from the 80’s. The groove is great and the fills are funky. I can’t imagine how long it would have taken to put together. Have a look see…

Ivan Pacheco

For those of you that thought the high school marching band wasn’t very cool… check out Ivan Pacheco ripping it up on a snare drum. During this video he displays amazing chops, and breaks into some nice grooves. He actually takes it to another level.

I’m not just saying this because I was in the Amityville H.S. marching band either!

Ivan Pacheco on Snare Drum